The fix for this is to export a MIDI file, delete your Memory Locations (by selecting Delete All from the drop‑down menu in the Memory Locations window), and import your MIDI file, remembering to tick the ‘Import Tempo Map From MIDI File’ box in the import dialogue. If you need to do this all the way along the timeline things can get very tedious. Marker numbers can be edited but if you want to change Marker 7 to Marker 1 and you already have a Marker 1, you need to move Marker 1 to an unused number first. But if your timeline order differs from the order in which they were created then things can get confusing, particularly if you have named the Locations. The significance of the Memory Location numbers is that they can be quickly recalled from the num pad using the well‑known ‘decimal point / number key / decimal point’ keystroke combination. Hitting Enter brings up the Memory Locations list, which will include any Markers you have created. There are some workarounds though, including a devious way to re‑number Memory Locations without having to manually (and very laboriously) renumber them all. More would be extremely useful, for example having one ruler for marking out song sections and a second to highlight things that need fixing. Unfortunately Pro Tools has only one Markers ruler. You can manually assign any number you want, but if you choose a number which has already been created, you will overwrite the existing Memory Location - an action which cannot be undone. Memory Locations each have a number, automatically assigned and starting from 1. When creating Markers on the fly, these Memory Locations are what gets created.ĭropping Markers on the fly to map out sections of a song during a first listen‑through is standard practice for many, and when doing this one of the biggest issues with Pro Tools’ system of Memory Locations can become apparent. Hit Enter to open the New Memory Location window and you’ll see the default setting between the three radio buttons in the Time Properties field is Marker. Markers use Pro Tools’ Memory Locations feature, though they are not the only option for creating a Memory Location. Uses for Markers vary, but marking out sections of a song is an almost universal practice, as is setting Markers at significant points during a take, to flag up any issues in a performance for potential edits and fixes. Markers help you to quickly recall specific locations along the timeline. We explore some of the less common uses for Markers and Memory Locations. Markers are a handy way to identify song sections, allowing you to instantly jump between them using keyboard shortcuts.
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